61 Free Artworks of 1856 In Washington, D.C.

national gallery of artphotographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humainealbumen printoil on canvasimpressionism,neo-impressionismpaintings by camille pissarro in the national gallery of art, washington, d.c.paintings of saint thomas island by camille pissarrocamille pissarrojacques burkhardt scientific drawings
Southern Chivalry – Argument versus Clubs, John L. Magee, 1856
1856 in washington, d.c.brawls
La Bretonnerie in the Department of Indre, Gustave Courbet, 1856
landscapes by gustave courbetrealism
A Creek with Palm Trees / A Creek in St. Thomas (Virgin Islands), Camille Pissarro, 1856
paintings by camille pissarro in the national gallery of art, washington, d.c.impressionism,neo-impressionism
Emys rubriventris (side view) (Washington, D.C., 1856), Jacques Burkhardt, 1856-??-??
jacques burkhardt scientific drawingsemys
Emys rubriventris (bottom view) (Washington, D.C., 1856), Jacques Burkhardt, 1856-??-??
jacques burkhardt scientific drawingsemys
Emys rubriventris (top view) (Washington, D.C., 1856), Jacques Burkhardt, 1856-??-??
jacques burkhardt scientific drawingsemys
Emys rubriventris (top view) (Washington, D.C., 1856), Jacques Burkhardt, 1856-??-??
jacques burkhardt scientific drawingsemys
Two Women Chatting by the Sea, St. Thomas, Camille Pissarro, 1856
paintings by camille pissarro in the national gallery of art, washington, d.c.impressionism,neo-impressionism
Evening (La viellee), 1856
etchings in the national gallery of art (washington, d.c.)barbizon school
Two Women Chatting by the Sea, St. Thomas, Camille Pissarro, 1856
1856 paintings by camille pissarroimpressionism,neo-impressionism
The Lackawanna Valley, George Inness, circa 1856
paintings by george inness in the national gallery of art (washington, d.c.)hudson river school
Emys rubriventris (top, side, and bottom views) (Washington, D.C., 24 May 1856), Jacques Burkhardt, 1856-??-??
jacques burkhardt scientific drawingsemys
The Pets, Eastman Johnson, 1856
paintings in the national gallery of art (washington, d.c.)pets
Gustave Courbet La Bretonnerie dans le département de l'Indre 1856, Gustave Courbet, 4 August 1856
indre in artrealism
Two Women Chatting by the Sea, St. Thomas, Camille Pissarro, 1856
impressionism,neo-impressionism1856 oil on canvas paintings
Seated Female Figure for "San Francisco", probably c. 1856
drawings by charles meryon in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)
Seated Male Figure for "San Francisco", probably c. 1856
drawings by charles meryon in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)
M. Prudhomme Philantrope, 1856
prints by honoré daumier in the national gallery of art (washington, d.c.)monsieur prudhomme by honoré daumier
The Model and the Figure (La sculpture monumentale), Paul Gavarni, 1847/1856
lithographs in the national gallery of art (washington, d.c.)paul gavarni
La Bretonnerie in the Department of Indre, Gustave Courbet, 1856
paintings by gustave courbet in the national gallery of art (washington, d.c.)realism
A Vanitas, circa 1856
photographs in the national gallery of art (washington, d.c.)photographs by jean-baptiste frénet
Gorge in the Rocks (Gorge dans les rochers), Félix Bracquemond, 1855/1856
etchings in the national gallery of art (washington, d.c.)félix bracquemond
A Creek in St. Thomas (Virgin Islands), Camille Pissarro, 1856
paintings by camille pissarro in the national gallery of art, washington, d.c.impressionism,neo-impressionism
After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse), Paul Gavarni, 1847/1856
lithographs in the national gallery of art (washington, d.c.)paul gavarni
Study of a Female Nude, Edgar Degas, 1856/1858
drawings by edgar degas in the national gallery of art (washington, d.c.)impressionism
Print speciman of custom house and post office, Georgetown, Washington, D.C.) - Designed by Ammi B. Young LCCN2011645291, 1856
miscellaneous items in high demand, ppoc, library of congressaugustus kollner
A Rainbow Landscape with Two Women Viewing it from Above, Félix Bracquemond, 1856
etchings in the national gallery of art (washington, d.c.)félix bracquemond
Face in repose, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Achille De Gas in the Uniform of a Cadet, Edgar Degas, 1856/1857
paintings by edgar degas in the national gallery of art (washington, d.c.)impressionism
Expression of severity, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Pain and despair, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Aggression, wickedness, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Face in repose, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Bad humor, malcontentment, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Painful memories, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Discontent, bad humor, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Gaiety expressed by the ideas of lustfulness, cynicism and lewdness, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Terror mixed with pain, torture, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention (left); Reflection (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Painful recollection or painful thoughts, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed expression (left); Disgust (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Astonishment, stupefaction, amazement, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Weeping, tears of pity (left); Relaxed face (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed face (left); False joy or laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention, attentive gaze (left); Painful attention (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Slight lowering of the angle of the mouth due to depression (left); False laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Scornful disgust (left); Scornful laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Dissatisfaction, somber thoughts (left); Reflection (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
The attention attracted by an object that provokes lascivious ideas and desires, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Extreme pain, the head of Christ (left); Memory of love or ecstatic gaze (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed face (left); Profound attention (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention (left); Severity, aggression (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
This contraction of m. platysma alone lacks expression, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Sketches from a Tavern: Woman Standing and Two Men Seated, Rembrandt
dutch drawings in the national gallery of art (washington, d.c.)dutch golden age painting
René-Hilaire de Gas, Grandfather of the Artist, Edgar Degas, 1856
prints by edgar degas in the national gallery of art (washington, d.c.)impressionism
A portrait, seen in profile, of a man 42 years old, stupefied by the abuse of alcohol; his nose is aquiline, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
The muscle of attention (left); Eyebrow contraction due to bright light (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Two Women Chatting by the Sea, St. Thomas, Camille Pissarro, 1856
paintings by camille pissarro in the national gallery of art, washington, d.c.impressionism,neo-impressionism
Woodrow Wilson, John Singer Sargent, 1918
prints in the national gallery of art (washington, d.c.)impressionism
Woodrow Wilson, John Singer Sargent, 1918
prints in the national gallery of art (washington, d.c.)impressionism
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